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11

CONTENT

CONFEREN E TH ME

landscapes have also emerged, and their expressions of

modernity have already become a part of contemporary

history, while the very interpretation of landscape has

changed and has extended to encompass intellectual as

well as visual connotations.

Italy’s cultural landscapes have been changing.

Although endangered by urban and industrial

development, many of her celebrated landscapes

have been preserved: they may have changed but they

have not been deprived of their ancient charm. New

Ambrogio Lorenzetti, Allegoria ed Effetti del Buono e del Cattivo Governo (1338-1339), Effetti del Buon Governo in campagna (Allegory and Effects of Good and Bad

Government, Effects of Good Government) Fresco – Siena, Sala del Consiglio dei Nove o della Pace, Palazzo Pubb

lico

2

Inviting colleagues from all over the world to the 24

th

General Conference of ICOM, which will be held in Milan

from 3 to 9 July, 2016, the Italian National Committee

offers

a themedear to Italianmuseology: therelationship

between museums and cultural landscapes.

This is a central issue for Italy, but also a strategic

perspective for museums around the world as we enter

the third millennium.

This theme presents both an opportunity and a

challenge for museums to revive their mission and

strengthen their cultural and social role.

2

The frescos depict the rural and urban landscape of Siena. It is the first time in the history of Italian painting, the landscape becomes the main subject of a painting.

At the same time it is invoked to propose a topical political message: that of „good governance” of the community and the region.

Siena Charter

(July 2014):

a document presenting the Italian perspective on the responsibilities of museums towards heritage and its surrounding landscapes

.

Internationalmeetingon”

Museums, territorial system

s and urban landscapes

in Brescia (November 2015):

see the selected papers.

Stay tuned and check the Conference website for further updates on the Conference Theme .